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The Process of Musical Perception

Mind and Sense of Hearing as Musical Tools of
Cognition in Function

The structural comprehension of the musical sound-space
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
7. 12, 8. 13, 15. 25
4, 6-9, 11, 15-21
6. 11, 7. 12, 8. 13, 9. 14, 15. 25, 16. 26
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28
1.-3. 3, 11. 21, 12.-14. 22, 18. 33, 19. 34
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
5. 6, 7, 10. 18, 19, 17. 30, 31
4. 4, 5, 11. 20, 21, 18. 32, 33

through our inner hearing
4. 5, 5. 6, 10. 19, 11. 20, 17. 31, 18. 32

is tied to the clarity of the representation
1.-3. 3, 11. 21, 12.-14. 22, 18. 33, 19. 34

of the sound
4. 4, 5, 11. 20, 21, 18. 32, 33

in our mind,
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35

and therefore depends primarily on the efficiency of our mind.
1.-3. 2, 3, 11. 21, 12.-14. 22, 23, 18. 33, 19.-21. 34, 35
4, 11, 18

But also it depends on the sensitivity of perception of our inner
sense of hearing

4. 5, 5. 6, 10. 19, 11. 20, 17. 31, 18. 32

– on its alertness.
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
7. 12, 8. 13, 15. 25
4, 6-9, 11, 15-21
6. 11, 7. 12, 8. 13, 9. 14, 15. 25, 16. 26
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28
1.-3. 3, 11. 21, 12.-14. 22, 18. 33, 19. 34
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35
4. 5, 5. 6, 10. 19, 11. 20, 17. 31, 18. 32
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
5. 6, 7, 10. 18, 19, 17. 30, 31
4. 4, 5, 11. 20, 21, 18. 32, 33
1.-3. 1, 2, 12.-14. 23, 24, 19.-21. 35, 36