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Control over the Sense of Hearing

The Empirical Method of Knowing Reality

In the case of outwardly listening to music,
1.-3. 1, 12.-14. 24, 19.-21. 36

shape-giving faculties of our neurophysiology project
1.-3. 1, 2, 12.-14. 23, 24, 19.-21. 35, 36

the outer reality of the resounding musical performance onto the surface of our mind;
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35

through that, the surface of our mind assumes the structure of the sounding composition, thus producing the inner reflection of the
outer musical reality.

1.-3. 3, 11. 21, 12.-14. 22, 18. 33, 19. 34
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35
4. 4, 5, 11. 20, 21, 18. 32, 33
5. 6, 7, 10. 18, 19, 17. 30, 31
5. 9, 6. 10, 10. 16, 17, 17. 28, 29

This is the empirical method of knowing reality in music
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
4. 4, 5, 11. 20, 21, 18. 32, 33
5. 6, 7, 10. 18, 19, 17. 30, 31
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
1.-3. 2, 3, 11. 21, 12.-14. 22, 23, 18. 33, 19.-21. 34, 35

as we music listeners
4. 5, 5. 6, 10. 19, 11. 20, 17. 31, 18. 32

practise it.