For the next logical step to the states of consciousness related to the text
please click on the numbers.
 


Also at that time the motif world,

5. 6, 7, 10. 18, 19, 17. 30, 31
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
4, 11, 18
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28

ruling the tone space
4. 4, 5, 11. 20, 21, 18. 32, 33

from within, was not existing in a manner that he could concretely grasp it.

And also the sequence world,
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
4, 11, 18
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28

lying at the basis of the motifs
5. 6, 7, 10. 18, 19, 17. 30, 31

and ruling them from within has not been really graspable for him.

And yet, he concluded their existence from the effects, which the motifs
5. 6, 7, 10. 18, 19, 17. 30, 31

and sequences
5. 9, 6. 10, 10. 16, 17, 17. 28, 29

created in the musical tone space.
4. 4, 5, 11. 20, 21, 18. 32, 33