THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
 

NATURAL
MUSIC CREATION


OUVERTURE
THE IMMORTAL ENCHANTED REALM OF THE QUEEN OF MUSIC


TEIL I
THE PROCESS OF CREATING MUSIC


TEIL II
THE CLASSICAL TEACHING SCOPE OF MUSIC


TEIL III
THE INNER MECHANICS OF CREATING MUSIC


TEIL IV
DIDACTICS OF MUSIC


TEIL V
THE FORCE-FIELDS IN MUSIC


TEIL VI
THE PURPOSE OF MUSIC TRADITION


TEIL VII
SPACE AND TIME IN MUSIC


TEIL VIII
THE PHYSICS OF MUSIC


TEIL IX
THE SYSTEMS OF ORDER IN MUSIC


TEIL X
SCIENTIFIC FUNDAMENTALS OF MUSIC AESTHETICS


TEIL XI
THE SCIENCE OF MUSIC


TEIL XII
MUSIC AND SPEECH


Conventional and Modern Mechanisms
of Musical Performance


 
To­day’s ma­chin­ery of mu­si­cal per­form­ance does not ex­pect this genu­ine, spiri­tual-mu­si­cal, crea­tive unity any­more and there­fore does not at­tempt to achieve it.

 
The Original Creative Unity of Music
Nev­er­the­less, to­day it is pos­si­ble, more than ever be­fore, to tech­ni­cally real­ize the unity of the com­po­si­tional analy­sis and syn­the­sis to the ex­tent that the lis­tener – by means of the outer acous­tic image – can di­rectly per­ceive it within him­self.

 
This suc­cess­ful outer pres­en­ta­tion of the in­ner world of the art of sound is the key of our time to mu­sic – and it is ap­plied most suc­cess­fully in the tech­nol­ogy of the “Dy­namic Space Stereo­phony.”