THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
 

NATURAL
MUSIC CREATION


OUVERTURE
THE IMMORTAL ENCHANTED REALM OF THE QUEEN OF MUSIC


TEIL I
THE PROCESS OF CREATING MUSIC


TEIL II
THE CLASSICAL TEACHING SCOPE OF MUSIC


TEIL III
THE INNER MECHANICS OF CREATING MUSIC


TEIL IV
DIDACTICS OF MUSIC


TEIL V
THE FORCE-FIELDS IN MUSIC


TEIL VI
THE PURPOSE OF MUSIC TRADITION


TEIL VII
SPACE AND TIME IN MUSIC


TEIL VIII
THE PHYSICS OF MUSIC


TEIL IX
THE SYSTEMS OF ORDER IN MUSIC


TEIL X
SCIENTIFIC FUNDAMENTALS OF MUSIC AESTHETICS


TEIL XI
THE SCIENCE OF MUSIC


TEIL XII
MUSIC AND SPEECH


The Ecology of Music


 
In the un­der­stand­ing of this book, the ecol­ogy of mu­sic en­com­passes the en­tire range of what is called “mu­sic” in con­ven­tional mu­sic the­ory.

 
Conventional Music Theory as the Ecology of Music
The ecol­ogy of mu­sic con­cerns the sound­ing mu­si­cal event – the mu­sic sur­veyed from out­side by the sense of hear­ing on the level of the mind, and much more even, the mu­si­cal per­form­ance in the con­cert hall.

 
The Dimension of the Ecology of Music
So, the ecol­ogy of mu­sic be­gins where the com­po­si­tion is al­ready com­pleted, i.e. where the fin­ished mu­si­cal event re­sounds on the level of the mind and is per­ceiv­able to the in­ner ear.

 
The Inner Boundary of the Ecology of Music
The ecol­ogy of mu­sic also con­cerns the in­flu­ence of mu­sic on its en­tire outer sur­round­ings, par­ticu­larly the mu­si­cal in­flu­ence of the mind on its en­vi­ron­ment.

 
The Outer Influence of Music
The ecol­ogy of mu­sic con­cerns eve­ry­thing that sur­rounds the fin­ished piece of mu­sic.

 
And the as­pects of the en­vi­ron­ment of the fin­ished piece of mu­sic are: the in­ner ear of the com­poser, of the mu­si­cian, and of the lis­tener, their nerv­ous sys­tem, their body, and even­tu­ally the whole en­vi­ron­ment of the mu­si­cian – the field of ma­te­rial ecol­ogy.

 
The Environment of a Piece of Music