THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
NATURAL
MUSIC HEARING


OUVERTURE
CONVEYING TRUTH IN MUSIC


TEIL I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


TEIL II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


TEIL III
IMMORTAL AND MORTAL TRADITION OF MUSIC


TEIL IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


TEIL V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


TEIL VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


TEIL VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


TEIL VIII
EQUIVOCATION


TEIL IX
THE SECRET OF MUSIC


TEIL X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


TEIL XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


TEIL XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


The Self-Awareness Systematically Practises Self-Identification


 
For an in­crease of per­form­ance in our mu­si­cal hear­ing our self-con­scious­ness is there­fore the first sta­tion.

 
The Increase of Performance of Musical Knowing Starts with the Self-Consciousness
Our self-aware­ness must be trained sys­tem­ati­cally to iden­tify it­self with it­self – to know it­self, to know its in­fi­nitely mani­fold, ex­tremely flexi­ble sound quali­ties.
As it prac­tises, our self-con­scious­ness must com­pre­hend its po­ten­tial to most per­fectly struc­ture the tone.

 
Com­pared to all other tools of cog­ni­tion, our self-con­scious­ness is that or­gan which by na­ture pos­sesses the larg­est de­gree of en­ergy and in­tel­li­gence.
This means that, within it­self, it has the po­ten­tial for the most com­plete struc­tural for­ma­tion of tones, as well as for the clar­ity of rep­re­sen­ta­tion, and for the com­plex in­te­grated struc­tural change of the tones.

 
The Self-Awareness as the Field of All Possibilities in Music
Within our self-con­scious­ness al­ready we find a vary­ing struc­tural den­sity.
If, in our self-aware­ness, lim­ited in­di­vid­ual aware­ness domi­nates cos­mic con­scious­ness – the unlim­ited, the uni­ver­sal self-aware­ness – then its av­er­age den­sity is lower.

 
Varying Structural Density in the Self-Consciousness
If the uni­ver­sal self-aware­ness domi­nates the lim­ited in­di­vid­ual one, then its av­er­age den­sity is higher.

 
So, cos­mic self-aware­ness in­cludes the po­ten­tial of the en­tire art of sound, while the in­di­vid­ual self-aware­ness in­cludes only the po­ten­tial for sin­gle mu­si­cal works.